ORIGINAL PAPER
Limits to the Permissibility of Organizing Concerts in Churches According to Canon Law
 
More details
Hide details
1
KUL
 
2
University of Silesia in Katowice
 
These authors had equal contribution to this work
 
 
Submission date: 2025-10-27
 
 
Final revision date: 2025-11-24
 
 
Acceptance date: 2025-11-27
 
 
Publication date: 2025-12-29
 
 
Corresponding author
Mirosław Sitarz   

KUL
 
 
JoMS 2025;64(4):11-27
 
KEYWORDS
TOPICS
ABSTRACT
Objectives:
The aim of the article will be to analyse the permissibility of organising concerts in churches. It is necessary to preserve the sacred space inside a church, but people have a desire for hearing musical works in a building with excellent acoustics and an exquisite interior.

Material and methods:
Historical-legal and dogmatic-legal methods will be used in the paper

Results:
The article will use the sources of canon law – both common and particular – and available literature on the subject.

Conclusions:
The Catholic Church has highly regarded sacred music, considering it as an indispensable element of worship of God. Music that is used in liturgy and presented in sacred spaces should help people to deepen their faith and glorify God. The 1983 Code of Canon Law lays down the norm concerning the sacred purpose of churches and the requirement that all activities respect the holiness of the place. Particular law (the instructions of the Holy See and conferences of bishops) elaborates on that vis-à-vis the special case of concerts
REFERENCES (15)
1.
Catechism of the Catholic Church. (1994). Accessed 19 October 2025 from https://www.vatican.va/archive....
 
2.
Codex Iuris Canonici auctoritate Ioannis Pauli PP. II promulgatus. (1983). AAS 75 (1983), pars II, pp. 1-317.
 
3.
Congregation for Divine Worship, Concerts in Churches. (1987). Accessed 19 October 2025 from https://www.ewtn.com/catholici....
 
4.
Hinz, E. (2005). Nurt religijny w muzyce różnych epok. Bernardinum.
 
5.
Jan Paweł II. (1986). Wiara i kultura. Fundacja Jana Pawła II. Polski Instytut Kultury Chrześcijańskiej.
 
6.
Konferencja Episkopatu Polski, Instrukcja o muzyce kościelnej. (2017). Anamnesis. Biuletyn Komisji ds. Kultu Bożego i Dyscypliny Sakramentów 92 (2018), pp. 25-42.
 
7.
Pawlak, I. (2001). Muzyka liturgiczna po Soborze Watykańskim II w świetle dokumentów Kościoła. Polihymnia.
 
8.
Pius PP. X, Motu proprio SSmi Pii PP. X de restauratione musicae sacrae (I). Tra le sollecitudini. (1903). ASS 36 (1903-1904), pp. 329-339.
 
9.
Rite of Dedication of a Church and an Altar. 1978. Accessed 19 October 2025 from https://abliturgy.wordpress.co....
 
10.
Sacra Congregatio Rituum, Instructio de musica in sacra liturgia Musicam sacram. (1967). AAS 59 (1967), pp. 300-320.
 
11.
Sacrosanctum Concilium Oecumenicum Vaticanum II, Constitutio de sacra liturgia Sacrosanctum Concilium. (1963). AAS 56 (1964), pp. 97-138.
 
12.
Sitarz, M. (2013). Competences of Collegial Organs in a Particular Church in the Exercise of Executive Power According to the Code of Canon Law of 1983. Wydawnictwo KUL.
 
13.
Sitarz, M. (2008). Miejsce instrukcji w hierarchii aktów normatywnych. In: W. Bar (ed.), L. Fiejdasz (ed.), O Sanctorum Mater, 27-40. Katedra Prawa Kanonizacyjnego, Stowarzyszenie Kanonistów Polskich.
 
14.
Tyrała, R. (2022). Koncerty w świątyniach – kwestią liturgiczną czy estetyczną? 17, 21-32. Musica Ecclesiastica.
 
15.
Waloszek, J. (2013). Istota sakralności pieśni kościelnej. 8 (35), 33-37. De Cantu Sacro. Biuletyn Stowarzyszenia Polskich Muzyków Kościelnych.
 
eISSN:2391-789X
ISSN:1734-2031
Journals System - logo
Scroll to top